As a little boy of seven or eight, Jacques Henri Lartigue was given his first camera,and soon was developing his own photographs. Born into a prosperous family, fromchildhood Lartigue acutely observed the social rituals of the upper echelons of societythrough his photography. The handheld Kodak camera, first introduced in 1888,granted the young photographer flexibility to capture the fine details of eccentricfamily members at home, the elaborate social parade in the Bois de Boulogne, on thebeach in Normandy and beyond. Classic images of motor cars and high fashion sitalongside previously unpublished photographs from the Lartigue archive. These imagesof family beaumonde and demimonde life are not only evidence of a prodigioustalent, but also offer an intimate, adolescent perspective of Bellepoque Paris, theworld of Proust, Debussy and the Nabis, before the outbreak of the First World War.
At a young age Lartigue mastered the medium of photography: this explorationof his extraordinary childhood is interwoven with a social and cultural portrait of theBelle poque. Bonnard and Vuillard used the camera as a reference point for painting,Eugne Atget documented the architecture of the old Paris ahead of its developers, butLartigue was the first to harness the immediacy of the snapshot, often capturing hissubjects midgesture as in real life, creating a new visual language for the 20th century.
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