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From guns to genitalia, Niki de Saint Phalle challenged the boundaries of sculpture beginning with her shooting performances in 1960s Paris alongside the Nouveaux Réalistes. This introduction explores Saint Phalle’s 40year career of boldly inventive forms, from her first assemblages to her curvaceous Nanas and the immersive Tarot Garden.
A key contributor to Nouveau Réalisme in early 1960s Paris, Niki de Saint Phalle (19302002) worked alongside artists such as Arman, Yves Klein, and Jean Tinguely, scavenging real objects in place of traditional art materials. She connected art to life by instrumentalizing household items, machine parts, and even toys for her early assemblages. Saint Phalle created her first shooting painting, or Tir, in 1961, and went on to conduct these performances in such varied locations as the Impasse Ronsin in Paris, a garden in Amsterdam, a sandpit outside Stockholm, and the Malibu Hills. Reliefs made of plaster, small objects, paint, wood, and wire were punctured by the bullets of a gun.
This book provides an introduction to Saint Phalle’s work, highlighting some of her most important contributions to 20th century art.
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