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Taschen August Sarnitz - Adolf Loos cene

Adolf Loos (1870–1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country’s architectural landscape. An early, impassioned advocate of modernism, he allout rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siècle. Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his "passion for smooth and precious surfaces." He advocated th
 
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Cena ažurirana: 15. 07. 2026
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Adolf Loos (1870–1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country’s architectural landscape. An early, impassioned advocate of modernism, he allout rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siècle.

Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his "passion for smooth and precious surfaces." He advocated that architectural ornamentation was, by its nature, ephemerallocked into current trends and styles, and therefore quickly dated. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with timehonored aesthetic and structural qualities.

In this essential introduction, we explore Loos’s writings, projects, and legacy, from his key concept of “spatial plan” architecture to his rejection of decorative fripperies in favor of opulent, finequality materials and crisp lines. Featured projects include Vienna’s Café Museum (1899), the fashion store Knize (1913), and the controversial Loos House (1912), which Emperor Franz Joseph I would refuse to travel past, bristling with rage at its insolently minimalist aesthetic.

About the series

Born back in 1985, the Basic Art Series has evolved into the bestselling art book collection ever published. Each book in TASCHEN’s Basic Architecture series features:

  • an introduction to the life and work of the architect
  • the major works in chronological order
  • information about the clients, architectural preconditions as well as construction problems and resolutions
  • a list of all the selected works and a map indicating the locations of the best and most famous buildings
  • approximately 120 illustrations (photographs, sketches, drafts, and plans)

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